Cut out the labels
In my undergraduate viva, many years ago, I was asked how useful are the labels that we apply to [classical] music; Baroque, Classical, Romantic etc. I recall giving an excruciatingly poor response, and perhaps because of that, it is a question that has haunted me ever since. It is a question that should be applied to all areas of life, and one that invariably throws up more questions than answers. In his book “Closure, A story of Everything”, Hilary Lawson explains how all our communication is unavoidably built on artificial closures of language – our verbal communication necessitates everyone agreeing on approximate meanings for words and concepts, but these definitions can only ever, in truth, be provisional or transitory. A label tricks us into thinking we have captured the true essence of a person, object, place, idea. And yet it rarely, if ever, has. Every person is more than the colour of their skin, their gender, their sexual-orientation. They are more than their ...